The Little Theatre opened in 1929 and established not-for-profit status in 1998. The non-profit screens more than 100 American independent and foreign films for the greater Rochester community each year. It also hosts a varied slate of art shows, film festivals and series, and music throughout the year. The Little provides filmmakers, local musicians, and fine artists a professional space to share their visions with a diverse audience and to discuss their work through educational talkbacks.
Friday, April 2, 2010
Fish Tank Opens Friday, April 2nd
About the Film
A mother and daughter find themselves locked in an ugly battle over the same man in this drama. Mia Williams (Katie Jarvis) is 15 years old and lives in a shabby apartment block with her mother, Joanne (Kierston Wareing), and younger sister, Tyler (Rebecca Griffiths). Mia is a reckless and rebellious teenager who frequently argues with her mother and sister and has run afoul of the authorities at school, leading to her being suspended.
With plenty of time on her hands, Mia spends her days drinking when she can find alcohol and partying in a empty flat near her apartment. Joanne is a single mother, and she's begun dating a new man, Connor (Michael Fassbender); when Joanne brings him home to meet the girls, Mia is immediately attracted to him, and it's soon clear Connor feels the same way about her. Mia attempts to seduce Connor to take him away from her mother, and when she succeeds, Joanne's greatest anger is not with the man who has slept with her underaged daughter, but the girl who is now a rival for the affections of her lover.
An Interview with the Director:
LW: First off, one of the things that most impresses me is how concise and precise the images are in your films. You say everything you need to say within the least amount of frames. Obviously a lot of people are going to think of the kitchen sink realism of Loach and Leigh but there’s also a poetic, nearly Neorealist quality to your work. Can you talk a bit about your filmmaking influences?
AA: Ooh, I have quite a lot. Everyone from Terence Malick to the Dardenne brothers to David Lynch, Michael Haneke –
LW: “The White Ribbon.” Everyone hated it but me. (laughs)AA: Yeah, I saw it at Telluride. I don’t know if I was just in a funny mood that day, but it was the first time during a Haneke film that I wanted to leave the cinema.
LW: That’s good!
AA: Yeah, I know. He wants me to feel that way.
LW: Well, you direct in a similar way. I mean, you don’t have a comfortable filmmaking style at all. That seduction scene between older man Connor played by Michael Fassbender and Katie Jarvis’s teenage Mia, which is the centerpiece of “Fish Tank” – that’s damn hard to watch.AA: Yeah, one of my friends described it as “everything I didn’t want and everything I wanted.”
Read the full interview here.
Thursday, December 17, 2009
Opening this week: Amreeka (playing one week only)
Amreeka chronicles the adventures of Muna, a single mother who leaves the West Bank with Fadi, her teenage son, with dreams of an exciting future in the promised land of small town Illinois. In America, as her son navigates high school hallways the way he used to move through military checkpoints, the indomitable Muna scrambles together a new life cooking up falafel burgers as well as hamburgers at the local White Castle.
About the Director:
Amreeka is a film that writer/director Cherien Dabis very much needed to make. It’s a personal story that draws on her own memories of growing up with her Palestinian/Jordanian family in rural Ohio.
“My parents immigrated to the U.S. right before I was born. I was born in Omaha, Nebraska, and grew up in rural Ohio and Jordan. When people ask me where I’m from, it’s always a confusing question,” Dabis explains. “For most of my life I felt like I wasn’t American enough for the Americans, nor was I Arab enough for the Arabs. And as a Palestinian, I inherited my father’s quandary in not having a nation or a national identity, which only exacerbated my sense of not belonging anywhere. My own desire for a place to call home, a place where I belonged, was always a very big part of my identity.”
In Ohio, during the first Gulf War, Dabis’s family was ostracized. Dabis, who was 14 at the time, says, “We got death threats and the Secret Service even came to my high school to investigate a rumor that my 17-year-old sister threatened to kill the President.”
As Dabis’s family returned to Jordan regularly, she was able to see what was happening in the world from different perspectives. “In my travels to and from the Middle East, watching and reading news from different perspectives, from Arabic satellite to English news, I started to see how the media often made way for more conflict and misunderstanding, perpetuating stereotypes that affected me and my family in this small Ohio town.” Read the whole interview here.
Amreeka made its world premiere in dramatic competition at the 2009 Sundance Film Festival, and played as Opening Night of New Directors/New Films, a co-presentation of The Museum of Modern Art and The Film Society of Lincoln Center. "Amreeka" made its debut internationally in Directors’ Fortnight at the Cannes Film Festival. The film has been nominated for three Film Independent Spirit Awards including Best Feature.