Our Spotlight on Black History Month Series Returns to The Little for the 4th Year
A rich mix of documentaries and premieres headline this year’s offerings
From February 19th to the 25th we celebrate the fourth annual “Spotlight on Black History Month” here at The Little Theatre. This film series brings various aspects of African-American life to the big screen; including the drive to embrace the American Dream, the revitalization of a scarred community, and the ongoing struggles to overcome the dark sides of black history in America. The goal of the series is to present a varied range of film topics and to provide a forum for open discussion and education. We've been highlighting some of the filmmakers on our blog during the past few weeks. Tickets to all the films are $5.00. Here's everything you need to know about the series:
The films include:
Shadows of the Lynching Tree (Rochester Premiere), directed by Rochester native Carvin Eison. This movie explores the history of lynching in the United States and reveals an underlying ideology still alive today at some levels of American culture. His documentary, July ‘64, was a standout in 2007 at The Little. Talkback with the director following the 6:30 showing on Fri., Feb. 19th.
Pressure Cooker, a documentary about the lives of a strict, but loving teacher of culinary arts in an inner city high school in Philadelphia, and a half dozen of her students. In an area where most kids don't have a lot of opportunities, these kids are learning to be professional cooks and competing for a few scholarships to big name culinary schools around the US.
Heart of Stone, a documentary about a gutsy Newark high school principal's efforts to stave off gang violence and boost student morale. The setting is the city's once-famed Weequahic High, known for fostering more Ph.D.s than any other American high school from the 1930s-'50s. What makes this chronicle poignant is its illustration of how African-Americans and Jewish alum helped each other turn the school in a new, safer direction. The film won the Audience Award in Slamdance's documentary competition.
MVP Little Biddies Series, Bring the kids and enjoy a little light fun with Space Jam, where Michael Jordan agrees to help the Looney Toons play a basketball game vs. alien slavers to determine their freedom.
“This year’s program takes a look at the darker side of our nation’s past,” comments Bob Russell, Executive Director at The Little. “But, also on the hope that creates the bright side of our future.”
The Emerging Filmmakers Series will highlight short films by African American filmmakers or films about the African American experience. This regular monthly program screens films produced by up-and-coming New York State filmmakers, regardless of age or educational status, or films shot in New York State.
Film Times:
Shadows of the Lynching Tree
Fri., Feb. 19, 6:30 pm (Followed by Talkback with Carvin Eison)
Sat., Feb. 20, 12:00 pm, 9:00 pm
Mon., Feb. 22, 6:30 pm
Wed. Feb. 24, 9:00 pm
Pressure Cooker
Sat., Feb. 20, 6:30 pm
Sun., Feb. 21, 9:00 pm
Wed., Feb. 24, 6:30 pm
Thurs., Feb. 25, 9:00 pm
Heart of Stone
Fri. Feb. 19, 9:00 pm
Sat. Feb. 20, 3:00 pm (Followed by Talkback with Rick Smith - Principle of John Marshall High School, Chris Cuby - President of Realizing Others Outstanding Talents,LLC, and Anthony Jordan - Assistant to Commissioner of City of Rochester Parks and Recreation)
Sun., Feb. 21, 6:30 pm
Thurs., Feb. 25, 6:30 pm
Little Buddies Series
Space Jam, starring Michael Jordan
Sat., Feb. 27, 10:00 am
Emerging Filmmakers Series
Mon., Feb. 22, 9:15 pm
The Little Theatre opened in 1929 and established not-for-profit status in 1998. The non-profit screens more than 100 American independent and foreign films for the greater Rochester community each year. It also hosts a varied slate of art shows, film festivals and series, and music throughout the year. The Little provides filmmakers, local musicians, and fine artists a professional space to share their visions with a diverse audience and to discuss their work through educational talkbacks.
Showing posts with label Spotlight on Black History Month. Show all posts
Showing posts with label Spotlight on Black History Month. Show all posts
Tuesday, February 16, 2010
Monday, January 25, 2010
Indie filmmaker interview-Jennifer Grausman
Jennifer's film, Pressure Cooker, will be screening at The Little as part of our Spotlight on Black History Month Series.
Here's a bit about the film:
Three seniors at Philadelphia's Frankford High School find an unlikely champion in the kitchen of Wilma Stephenson. A legend in the school system, Mrs. Stephenson's hilariously blunt boot-camp method of teaching Culinary Arts is validated by years of scholarship success. Against the backdrop of the row homes of working-class Philadelphia, she has helped countless students reach the top culinary schools in the country. And under her fierce direction, the usual distractions of high school are swept aside as Erica, Dudley and Fatoumata prepare to achieve beyond what anyone else expects from them.
And now for Jennifer's interview:
1. Jennifer, how did you first hear about Wilma Stephenson?
In 2005-2006, I researched several public high school culinary programs in NYC for a possible documentary, and kept hearing about Wilma Stephenson from teachers who had met her, as well from personnel at the Careers through Culinary Arts Program (C-CAP), which runs the scholarship competition in the film, and was founded by my father, Richard Grausman. I finally went down to Frankford to meet her in June 2006. We had a three hour conversation and I knew right away from her passion and charisma that she was a character. It was clear how much she loved her students and that there was something special going on in her kitchen classroom.
2. What was it like to record the class and kids over time?
It was really wonderful to be able to film the kids throughout the whole year - we were able to watch them grow and change immensely. But filming in the kitchen was definitely a challenge. It's a tight space, with challenging sound issues, and we always had to be careful to stay out of the way - especially Mrs. Stephenson's way - since nothing was more important to her than teaching her students.
Spending so much time in the classroom was also valuable in that it made us a part of the class. This led to the naturalism and candid behavior of Wilma and the kids when we were around, which became a true strength of the film and allowed us to use primarily verite footage.
3. Tell us about your upcoming trip to Sundance?
I am going to Sundance for the premiere of a fiction feature film that I co-produced, 3 BACKYARDS. It was written and directed by Eric Mendelsohn and stars Edie Falco, Elias Koteas, Embeth Davidtz, Rachel Resheff, Kathryn Erbe and Danai Gurira.
4. What's the biggest thing you learned from the kids?
The kids were incredibly inspiring. They handled the stress of the competition, school, jobs and family issues with grace, maturity and a sense of humor.
5. Tell us about the Take Part campaign.
Participant Media executive produced the film and they run a social action campaign associated with PRESSURE COOKER. If you go to the website: http://www.takepart.com/pressurecooker you can learn more about C-CAP and donate to their efforts, as well as sign a petition to support the the Perkins Act, learn about ACTE - the Association of Career and Technical Education and support such programs in your own community.
6. How have you approached your participation in film festivals?
Mark and I were lucky to get to travel with the film to many film festivals all over the US and abroad. It was great to see the film with different audiences, do Q&As after screenings and especially participate in educational screenings with middle, high school, and college or culinary students.
Our very first screening was a special screening at the Los Angeles Film Festival for 1200 public high school students. They loved the film and we were lucky to have Wilma, Erica, Fatoumata and Dudley with us for the Q&A. The LA students treated them all like rock stars - asking for autographs - and also asking Mrs. Stephenson if she would move to LA and teach them! Many students said they could relate to PRESSURE COOKER because it told their story - and not many films do. It was an incredible experience.
Here's a bit about the film:
Three seniors at Philadelphia's Frankford High School find an unlikely champion in the kitchen of Wilma Stephenson. A legend in the school system, Mrs. Stephenson's hilariously blunt boot-camp method of teaching Culinary Arts is validated by years of scholarship success. Against the backdrop of the row homes of working-class Philadelphia, she has helped countless students reach the top culinary schools in the country. And under her fierce direction, the usual distractions of high school are swept aside as Erica, Dudley and Fatoumata prepare to achieve beyond what anyone else expects from them.
And now for Jennifer's interview:
1. Jennifer, how did you first hear about Wilma Stephenson?
In 2005-2006, I researched several public high school culinary programs in NYC for a possible documentary, and kept hearing about Wilma Stephenson from teachers who had met her, as well from personnel at the Careers through Culinary Arts Program (C-CAP), which runs the scholarship competition in the film, and was founded by my father, Richard Grausman. I finally went down to Frankford to meet her in June 2006. We had a three hour conversation and I knew right away from her passion and charisma that she was a character. It was clear how much she loved her students and that there was something special going on in her kitchen classroom.
2. What was it like to record the class and kids over time?
It was really wonderful to be able to film the kids throughout the whole year - we were able to watch them grow and change immensely. But filming in the kitchen was definitely a challenge. It's a tight space, with challenging sound issues, and we always had to be careful to stay out of the way - especially Mrs. Stephenson's way - since nothing was more important to her than teaching her students.
Spending so much time in the classroom was also valuable in that it made us a part of the class. This led to the naturalism and candid behavior of Wilma and the kids when we were around, which became a true strength of the film and allowed us to use primarily verite footage.
3. Tell us about your upcoming trip to Sundance?
I am going to Sundance for the premiere of a fiction feature film that I co-produced, 3 BACKYARDS. It was written and directed by Eric Mendelsohn and stars Edie Falco, Elias Koteas, Embeth Davidtz, Rachel Resheff, Kathryn Erbe and Danai Gurira.
4. What's the biggest thing you learned from the kids?
The kids were incredibly inspiring. They handled the stress of the competition, school, jobs and family issues with grace, maturity and a sense of humor.
5. Tell us about the Take Part campaign.
Participant Media executive produced the film and they run a social action campaign associated with PRESSURE COOKER. If you go to the website: http://www.takepart.com/pressurecooker you can learn more about C-CAP and donate to their efforts, as well as sign a petition to support the the Perkins Act, learn about ACTE - the Association of Career and Technical Education and support such programs in your own community.
6. How have you approached your participation in film festivals?
Mark and I were lucky to get to travel with the film to many film festivals all over the US and abroad. It was great to see the film with different audiences, do Q&As after screenings and especially participate in educational screenings with middle, high school, and college or culinary students.
Our very first screening was a special screening at the Los Angeles Film Festival for 1200 public high school students. They loved the film and we were lucky to have Wilma, Erica, Fatoumata and Dudley with us for the Q&A. The LA students treated them all like rock stars - asking for autographs - and also asking Mrs. Stephenson if she would move to LA and teach them! Many students said they could relate to PRESSURE COOKER because it told their story - and not many films do. It was an incredible experience.
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